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	<title>Comments on: Robin Williams: Prince of Thieves</title>
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		<title>By: Zach</title>
		<link>http://www.kempa.com/2004/04/26/robin-williams-prince-of-thieves/comment-page-1/#comment-299</link>
		<dc:creator>Zach</dc:creator>
		<pubDate>Mon, 26 Apr 2004 21:27:44 +0000</pubDate>
		<guid isPermaLink="false">http://kempa.com/wp/?p=135#comment-299</guid>
		<description>There&#039;s an interesting bit about joke thievery in Dick Cavett&#039;s autobiography:

&quot;I needed a joke about eating out in New York, and somehow I hit on the idea of a Chinese-German restaurant. The punch was, &quot;The food is delicious. The only problem is, an hour later you&#039;re hungry for power.&quot; I told it to Rollins (Jack, Cavett and Woody Allen&#039;s Manager), who howled and said I had a biggie there. That night was a smash, and from then on it never failed, even when everything else did. Three days later, I was flipping through the daily papers, and my joke leaped out at me from Earl Wilson&#039;s column. Except it was attributed to Rip Taylor at the Copa. 
    Naively and furiously, I called Taylor and asked him to stop doing my line. He said, &quot;Oh, did I say that?,&quot; and laughed heartily at the joke. I didn&#039;t realize that the witty things attributed to celebrities in those columns are rarely said by them. Often they are phoned in by a guy who gets a hundred dollars a week to plant funny sayings for that person, and when he doesn&#039;t have any he steals them. 
    From that point on, my best jokes would appear in Earl Wilson or elsewhere, attributed to Pat Henry or Jackie Vernon or London Lee, and once even to Woody, who had himself been the victim of this pernicious practice.We both had a good laugh over his getting one of mine. But the situation continued to gall me, and I would look out over the audience at the club some nights wondering which was the creep who was making more than I was off my material. 
     The print thievery didn&#039;t hurt as bad as seeing and hearing your joke on Laugh In, television&#039;s Niagara Falls of plagiarism, or on the Red Skelton Show, which survived for a year on Woody&#039;s best jokes, or in the mouth of some crap comic on the Ed Sullivan Show, where it would stand out like a jewel in his otherwise vimitorious act and get a hand.
   Sometimes I would call Woody to report the latest theft of one his jokes. He finally asked me to stop, because, number one, it pained him and if he didn&#039;t know about it he would feel better, and, number two, it didn&#039;t matter because the crap comics would always be crap comics, and although it hurts to have your jokes stolen, something about you puts you forever in another category and world from them, or at least that is what you tell yourself. He was right.&quot;
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		<content:encoded><![CDATA[<p>There&#8217;s an interesting bit about joke thievery in Dick Cavett&#8217;s autobiography:</p>
<p>&#8220;I needed a joke about eating out in New York, and somehow I hit on the idea of a Chinese-German restaurant. The punch was, &#8220;The food is delicious. The only problem is, an hour later you&#8217;re hungry for power.&#8221; I told it to Rollins (Jack, Cavett and Woody Allen&#8217;s Manager), who howled and said I had a biggie there. That night was a smash, and from then on it never failed, even when everything else did. Three days later, I was flipping through the daily papers, and my joke leaped out at me from Earl Wilson&#8217;s column. Except it was attributed to Rip Taylor at the Copa.<br />
    Naively and furiously, I called Taylor and asked him to stop doing my line. He said, &#8220;Oh, did I say that?,&#8221; and laughed heartily at the joke. I didn&#8217;t realize that the witty things attributed to celebrities in those columns are rarely said by them. Often they are phoned in by a guy who gets a hundred dollars a week to plant funny sayings for that person, and when he doesn&#8217;t have any he steals them.<br />
    From that point on, my best jokes would appear in Earl Wilson or elsewhere, attributed to Pat Henry or Jackie Vernon or London Lee, and once even to Woody, who had himself been the victim of this pernicious practice.We both had a good laugh over his getting one of mine. But the situation continued to gall me, and I would look out over the audience at the club some nights wondering which was the creep who was making more than I was off my material.<br />
     The print thievery didn&#8217;t hurt as bad as seeing and hearing your joke on Laugh In, television&#8217;s Niagara Falls of plagiarism, or on the Red Skelton Show, which survived for a year on Woody&#8217;s best jokes, or in the mouth of some crap comic on the Ed Sullivan Show, where it would stand out like a jewel in his otherwise vimitorious act and get a hand.<br />
   Sometimes I would call Woody to report the latest theft of one his jokes. He finally asked me to stop, because, number one, it pained him and if he didn&#8217;t know about it he would feel better, and, number two, it didn&#8217;t matter because the crap comics would always be crap comics, and although it hurts to have your jokes stolen, something about you puts you forever in another category and world from them, or at least that is what you tell yourself. He was right.&#8221;</p>
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