MonthMarch 2011

Crossword Puzzle as Musical Notation

     As a part of my ongoing effort to become indistinguishable from a senior citizen while still in my early 30s, I’ve been doing the New York Times Crossword lately. In order to protect myself from feeling like an idiot, I usually only attempt the Monday and Tuesday puzzles. Occasionally I’ll try the Wednesday. Often Sarah and I will work on the puzzle together at a restaurant, intimidating other patrons with our coolness.

     Anyway, it should come as no surprise that my very favorite puzzles are the ones with some sort of “high concept” built in. The best is when the answers not only follow a theme, but when something about that theme is echoed in the visual structure of the puzzle. The NYT recently ran my most favorite concept puzzle of all time. SPOILER ALERT: if you plan to do the March 15th NYT crossword – STOP READING NOW!

     Below is an image of the completed puzzle. The theme answers, in green, are as follows:

  • Composer of 20 across: Beethoven
  • Work by 16 across: Ode to Joy
  • How the circled letters of 20 across are played: In C Major
  • Items you might play 20 across on: Piano Keys

Coded Joy.

     So, yes: the theme is Beethoven’s “Ode to Joy.” Ok, ready to have your mind blown? The circled letters, highlighted in yellow, denote the key musical phrase from “Ode to Joy,” with the letters moving up and down within the crossword grid corresponding to notes moving up and down the keyboard.





     Awesome, right? I know, I was pretty excited. If you’re into stuff like this (And really, who wouldn’t be?) the special features section of the DVD release of Crossword documentary Wordplay has a great collection of theme puzzles being described by their authors. Nerd alert!

Great collection of the rough sketches created as indie cartoonists interpret the Marvel Universe. Kate Beaton and Ivan Brunetti roughs!

It's Educational

     Awhile back I bought tickets to the Detroit date of Pixies’ Doolittle tour (Recent Pitchfork review: “If they really are doing it just for the cash, this is one hell of an argument for capitalism”), put the date on my calendar, and forgot all about it.

     Yesterday, I got an email from the Pixies mailing list wholly dedicated to talking up the opener they’re bringing along on the tour in an effort to get people to check them out in advance. Nothing about them. I have never seen a band do that before. Cool.

Awesome.

I recently stumbled into the world of these twitter art accounts – this is my favorite so far (You need to be logged into Twitter for them to align properly in the web interface). Pretty soon I’ll need a separate account just to aggregate these art posts…

Answer here. Personal postal experiment regrets: I never did try affixing postage to a Taco Bell Chicken Quesadilla envelope. Perhaps soon.

The auction is for an old demo that was recorded directly onto a cassette – Darnielle says he won’t make a copy before sending. I love the concept of that singular performance as a unique artifact – a weird echo of the early days of the record business, when performers would sing the same song over and over again for each individual copy.

I love this.

I’ve seen it, and it is one of my favorite documentaries. It’s a shame the filmmakers can’t show video to bolster the Kickstarter campaign, but the number of lawsuits this movie has already earned them has likely taught them not to tempt fate.

No idea if this is real, but I hope it is.

Metafilter’s Matt Haughey provides a peek behind the curtain of how the site runs so smoothly. In putting together this video, he also proposed a great future feature for keynote that would easily enable documenting presentations like this.

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