Category: Post

Bananas

     A few months before Christmas I read ‘I Bought Andy Warhol‘ in a variety of hospital waiting rooms. The book revolves around author Richard Polsky’s quest to own an Andy Warhol original, and by extension his experiences as an art dealer in the 1980’s. It’s a fast read that covers lots of interesting tangents, but as the Amazon reviews will attest, it has its problems. For those with an interest, however, Polsky offers enough insight into the inner workings of the modern art trade to make it worth wading through the character assassination and autobiographical attempts at redemption that sometimes slow things down. [Incidentally, does anyone know if Amazon puts negative reviews at the bottom on purpose? Or if not, do they only spotlight the 5 star reviews?].

     Most interesting (To me, at least) were the sections detailing the many eccentricities of dealing with the Warhol Estate. The estate was apparently very tight-lipped regarding what remained unsold after the artist’s death – making it difficult to gauge the supply and value of original Warhol work. Polsky details the painstaking process of scheduling a viewing with the estate, and the politics of favor that determined what you were offered.

     Also of interest were the sections dealing with forgery – to which Warhol’s work lends itself well. One chapter deals with an artist who set out to duplicate Warhol’s technique exactly, producing a (supposedly) perfect forgery before deciding not to proceed any further with the experiment; while another describes the author’s encounter with several unsigned ‘originals’ which may or may not have been forgeries – as Warhol’s signiture policy was a bit of an eccentricity in and of itself.

     I would have forgotten all about having read this book had I not stumbled upon a plush version of the Andy Warhol’s Velvet Underground cover available at Kid Robot, complete with unzippable skin:

Woof.

     It’s a pretty great (and pretty pricey) recycling of the pop-art image as a new pop-art item (Available in 12″, 24″ and 36″ models).

Krmpa vs. Kempa

Three things dealing with the name Kempa:

One:

     Krmpa.com is one easy typo away from kempa.com – the ‘E’ and ‘R’ keys are right next to each other. The reason this is notable is that krmpa.com is the website of Koleos, Rosenberg & Metzger, P.A., a law firm that deals with very bitter divorce settlements. People who send email regarding such subjects are often very enraged and not paying attention to their typing. Here’s an example of the spiteful missives I’ve recieved, found atop a GIGANTIC volley of quoted emails detailing the division of property and children:

“It is difficult for me to believe that I was at one time so proud of you, however, after receiving e-mails such as this, I am forever grateful that I filed for divorce. I truly cannot wait until you find someone else and take your focus off of me.”

     Insane. Once one of these fights takes off, I’m in for the long haul because these people are carbon copying the lawyers (Which is actually me, because of the typo) on each message, and attempts to notify them of their mistake result in no reply.

Two:

     It’s come to my attention that there is a German sporting goods company named Kempa, which is amazing because I suddenly have access to an entire line of personalized sportswear and handball equipment at www.kempa-handball.de.

SWOOSH!.

Three:

     Michal Tomasz Kempa of Polish website kempa.pl linked my site based on my name alone, so I’m doing the same. Here’s what he had to say:

“greetings forU don’t look at page of mine is horrible flat but I’ll change up in soon (I spoke it2yearsAgo2: AD REM: on the bottom this site : www.kempa.pl is link forU P.S. Your site is crazy but nice & maybe little update?? (the readers (me &other) still wait & cry (beacause nothing new) & wait again ……;-)”

Go visit his site here.

Chris Ware Trivia Update, Pt. 2

     One of the benefits of having a girlfriend who is a librarian is that you can say: “Hey, would you see if you can find out about this ridiculously obscure thing for me?” Sometimes, I don’t even have to ask. After reading my previous post about the Chris Ware / George Wilson dual identity, she managed to unearth another ‘George Wilson’ work. This effort appears in the February 2002 issue of Esquire Magazine.
The artwork appears in a section called ‘Lost Arts,’ and Ware contributed a faux book cover (‘The Lost Arts – A guide to the things our grandfathers did so effortlessly, but about which we know slightly less than squat’) and three strips: ‘The Lost Art of Carrying a Handkerchief,’ ‘The Lost Art of Standing Up When a Lady Approaches’ and ‘The Lost Art of Sword Fighting.”

The Lost Arts - Cover.
The Lost Art of Swordfighting.
The Lost Art of Standing When a Lady Approaches.
The Lost Art of Carrying a Handkerchief.

     Another interesting thing she found was that another George Wilson did the cover interior illustrations for a handful of Hardy Boys novels. Initially I hypothosized that this was where the pseudonym came from, but on further investigation I’m less sure. Worth mentioning, though.

     Supposedly there are two more Chris Ware works floating around credited to George Wilson, so if you happen to stumble upon one, let me know! In the meantime, we have this to look forward to:

McSWEENEY’S ISSUE 13

Edited by Chris Ware
$24 US, hardcover
Coming in April

     Issue 13 is a Very Special Issue. We might say that a lot, and we mean it
every time, but this time we really really mean it. This issue is all
comics. It is edited by Chris Ware (author of Jimmy Corrigan: Smartest Kid
on Earth), and features so many artists to know and love: R. Crumb, Art
Spiegelman, Daniel Clowes, Lynda Barry, Los Bros Hernandez, Adrian Tomine,
Julie Doucet, and on and on. The issue also includes essays from Michael
Chabon, Ira Glass, John Updike, Chip Kidd, and others. Hardcover,
clothbound, with an enormous dust jacket that does much more than guard
against dust. This one makes our throats go tight.

BONER!

Smart Dog

     I took my dog, speck, through a ‘Manners’ class. He got ‘Most Improved.’ This is his graduation photo. Note the books in the background – ‘Fetch,’ ‘Spot: A True Story,’ etc.

Woof.

Brado! AHHHHH!

     I just had this vivid dream. It’s important to note that I recently got a job as tech support at a library.

     For some reason, I was working as a reference librarian at Alfred Noble Library in Livonia in the summer time. An elderly woman came in and asked me to look up a book for her. She gave me the last name of the author: ‘Brado.’ I looked it up and the description read:

“Memoirs of a disturbed teenage girl, which she never intended to be read – UNIQUE, UNCIRCULATING. 191.27”

     She asked me to take her to the book, so we started towards the door. As soon as we stepped outside, a ridiculous blizzard began.

     In my dream, the library had expanded to take over a nearby field – but the shelves were all outdoors. They were each roughly 2 stories high, and arches had been built between each shelf, out of books. There were people who were hired to scamper around over the arches and pull out the books if necessary. It was very Beyond Thunderdomey in feel – primitive without seeming like it was out of the past.
Anyway, we made it to the shelves and we were on the wrong end of the dewey decimal system, so we started walking through the shelves, which turned out to be a maze constructed so that the passages were shaped like numbers.

     As we rounded the bend of a ‘2,’ the old woman started running, and I told her to slow down. She didn’t listen so I started chasing after her. When I finally caught up to her, I was out of breath and she was standing in front of where the book should have been with her back to me. She turned around all suddenly and I saw that she had become the teenage girl. She lunged at me and I yelled ‘BRADO! AHHHHH’ and woke up.

     According to my girlfriend, who was sleeping next to me, I really did YELL ‘Brado, ahhh,’ which came out sounding like “Intense Chewbacca yelling through water:” “BWAAA OOOOH! AHHHHHHH!” I woke up pasty white, and it took me several seconds to determine that she was not, in fact, Brado. I am clearly insane.

     In the Dewey decimal system, 191 is modern philosophy of the United States and Canada, in case you’re curious. I looked it up.

Mario Music Primer

     This month’s Wired Magazine has a profile on internet superstars the Minibosses, who cover only music from classic Nintendo Entertainment System games. The thing with them is – they refuse to do Mario music. Now if you ask me, that’s all posturing. Anyone who has ever picked up a bass guitar has attempted the underworld theme from the first SMB game, so I decided to see if anyone was doing mario music justice.

     The obvious first place to look was Overclocked Remix, a site dedicated to hosting reinterpreted versions of video game music. Most of the mp3’s are pretty typical videogame music fare: remixed to sound like… video game music. But if you dig around a bit you can find some pretty great interpretations by people playing real live instruments. I present to you my relatively organic-sounding Mario mix:

Koopa Troopa.

1.) Super Buck Jazz by Estradasphere

Super-produced version of the SMB2 ‘overworld theme.’

2.) Aquatic Interlude by Brad Smith

A tasteful arrangement for classical guitar with some synth bits.

3.) The Italian Plumber by M.S. Mehawich

A piano / cello / violin arrangement of several SMB1 themes.

4.) Jazz Plumber Trio by DJ Pretzel

Self-explanatory: Jazz trio plays mario music.

     Additionally, it’s worth mentioning that there is a guy methodically redoing every bit of music contained in the first Metroid game in a ‘metal’ style at metroidmetal.com. It’s pretty fun. There’s also a ‘deleted scene’ from that Wired article here.

Paul Collins

     I was first exposed to Paul Collins in the fifth issue of McSweeney’s, which published his essay on Solresol – a functional music based (as opposed to word based) language. This essay was eventually included in his book, ‘Banvard’s Folly,’ which I wrote about in my last update.

     Over the past year or so I’ve stumbled across articles by Mr. Collins in a few different places, so I emailed him to see if he had any sort of listing of where his more ephemeral work appears. This is what he had to say:

     “The other two places I do a lot of writing for [Besides The Believer and the Village Voice – which I mentioned in my email] are the arts quarterly Cabinet and the science weekly New Scientist. I’ve probably done 7 or 8 “Histories”
columns for NS in the last year — stuff very much in the Banvard’s Folly line. Cabinet has a couple of my articles on their website, and I think NS allows a free 1-week tour of their online archives. On the book front, I’ve got a memoir/travelogue coming out in April (“Not Even Wrong”) from Bloomsbury, and I’ve edited a new title coming out from the Collins Library in March — David Garnett’s 1922 novella ‘Lady Into Fox.'”

     As you well know, I am insane. As such, I have collected all the Collins-Penned Articles that are available online and stuffed them into a word file for convenient download.

Paul Collins Articles: Collected

Other Paul Collins Links:

  • The Collins Almanac is a “Selection of excerpts from old books, magazines, and newspapers,” which is updated every weekday.
  • The Collins Library is
    a “reprint series by McSweeney’s Books of unusual out-of-print literary works. Each volume is newly edited and typeset, and is selected and introduced by series editor Paul Collins. They are produced in very small runs, and can be bought at McSweeney’s online store , independent booksellers, and at Amazon.com.”
  • Collins on NPR, promoting the release of one of the Collins Library titles: ‘English as She Is Spoke”
  • The McSweeney’s Interview: Part One and Part Two.

     If anyone can be bothered to turn up an audio file of solresol being ‘spoken’ i’d love to hear it. I’ve had no luck with Google so far.

Emitt Rhodes

     Last year I discovered Emitt Rhodes’ self-titled first album, thanks to an article in Tape Op. It’s a masterpiece of fuzzy early 70’s pop songs – all instruments played by Mr. Rhodes in his home studio. A friend of mine once said: “The solo album McCartney should have made.” And he’s right. All great songs (Well, except for ‘Fresh as a Daisy’ but 11 out of 12 is pretty good) that approximate late Beatles production surprisingly well. It’s out of print on it’s own, but is available as the first twelve tracks of ‘Daisy-Fresh from Hawthorne, California (The Best of the Dunhill Years),’ which also includes a sampling of Mr. Rhodes’ later albums (None of which ever seemed to equal the promise of the first). I’ve posted an MP3 of one song from the self titled album – ‘Long Time No See,’ and a much later recording that is included as the last track on the collection but never appeared on a proper Emitt Rhodes album: ‘Tame the Lion.’

     My friend Dave recently sent me a link to this article. Erik Himmelsbach catches up with Rhodes who has apparently been paralyzed by depression all these years – seeing little to no money for the music he wrote. The article outlines the contract he signed with Dunhill, which puts the later albums in a more understandable context – the contract required him to produce a full album of material every six months.

     “I knew it was wrong, because it didn’t make sense,” Rhodes says. “Six months a record … and I just spent nine months in the studio every day. When was I going to perform? When was I going to tour? When was I going to take a vacation? When was I going to have a life? I did it because I was stupid.”

     There’s a good site dealing with all things Emitt, including some rare live mp3’s and photos of his home studio. It also looks like the latest issue of SCRAM! magazine has a new interview with Mr. Rhodes, including all sorts of photos.

     It’s also worth noting that much like Klaatu, whom I wrote rather extensively about in my March 2003 entry, Emitt’s debut was suspected of being a disguised Beatles album. There are transcripts and downloadable MP3’s of a call-in radio show discussing the possibility here.