Well thought-out piece on the differences between how different Vertigo creators are involved in the reissuing of their work.

Well thought-out piece on the differences between how different Vertigo creators are involved in the reissuing of their work.

Citing Alan Moore's Swamp Thing hardcover as an example, the author makes a good point: that simple investments like recoloring dated-looking work can pay huge dividends by increasing accessability to new fans. Obvious counterargument: watchmen. Oh, those colors.